The Life and Death of Marina Abramović, 2011

I came to know of Bob Wilson quite late. I was in a very underground theater world, and it was my life partner then, at the time working in the National Theater of Porto, who in 2005 showed me what the Texan had done in Portugal. Wilson’s austere work floored me: this was when I was doing sets with bubble wrap, very horror vacui. With the aim, above all, of scenographies looking expensive...[+]